Archive for the ‘The Year in Movies’ Category

The Year Ahead in Movies: 2016

January 7, 2016

The Year Ahead in Movies: 2016

There is a lot to happen yet for movies released in 2015.

Some movies will still make significant money…there are some which will make more than half of their box office in 2016. That’s why we keep tracking them in

at least until no 2015 release is in the top 10…which last year was months into 2015. This year, it wouldn’t surprise me if The Force Awakens is still a domestic box office force (so to speak) into the summer blockbuster release period. Daddy’s Home and Sisters are strong rolling into the new year, and the Revenant and The Hateful Eight have just gotten started.

Oscar nominations (and to a lesser degree, other awards) can also affect it.

With the first releases coming this Friday, though, it’s a good time to look ahead.

2015 was the biggest USA box office year to date…and it’s quite likely it will be bested in 2016.

That’s not to say that any movie will have the excitement and cultural impact of The Force Awakens…I don’t see that happening.

However, when they figure the box office for the year, it’s not based on movies just released that year…it’s movies in the theatre that year.

Last year, American Sniper, released in 2014, contributed significantly to the 2015 box office.

This year, the same thing will happen with The Force Awakens…but even more so.

I expect The Force Awakens to make more than half of its domestic box office in 2016…which would make it one of the biggest movies of both years. One reason for that? I think Disney will keep it in theatres, and even “re-release” it maybe twice (it will really be resurges). I could see them running it as a midnight show all year. Then, resurging it (maybe with the first Star Wars movie from 1977) on May 4th (Star Wars Day “May the 4th be with you”) and as a boost for Rogue One, the first Star Wars “anthology” movie in December. Rogue One is very important to Disney’s strategy of releasing a main story movie in odd numbered years, and an anthology movie in even numbered years. If R1 flopped (it won’t) that would be a strategic challenge.

I’m confident that January 2016 will be a record January, and I think that winning streak will likely extend into February.

What about other movies?

One interesting lesson from 2015 was that delayed sequels can work very well…better, arguably, than reboots or immediate sequels (although some of the latter were very profitable). With a delayed sequel, you can still respect the movies people remember, while introducing new elements. The Force Awakens did that very well, but so did 2015’s second most profitable movie, Jurassic World

2015 The Measured Circle’s Most Profitable Movies

Based on that, we might expect big things out of delayed sequels, notably Independence Day: Resurgent and Finding Dory (the sequel to Finding Nemo).

However, I think there may be more to it than simply being a delayed sequel. I suspect that having less-well received sequels (or prequels) may also be part of it…a good delayed sequel can be seen as a redemption. I’m guessing people might be looking at a sequel to Jaws…

What about the new Ghostbusters? Well, it’s not really clear yet if that is a reboot, or a delayed sequel…some of the original stars are credited for the new one, but we don’t know how significant their roles will be (the original Star Wars cast was very featured in the Force Awakens, and B.D.  Wong significantly returned to the role of Dr. Henry Wu in Jurassic World).

Let’s quickly define some terms the way we use them, then take a look at a selection of other movies which will be released in the USA in 2016. Oh, and let me first explain why we are looking at the USA.

Certainly, the rest of the world is important to the movie box office…in a typical week, the top ten box office  movies worldwide include some which are not having an impact in the USA, and may not even have been released into theatres there.

Some American movies do better around  the world than others. Typically, less dialog is a good thing: action movies do better globally than comedies do. Humor, in particular, can be culture dependent, since it tends to refer to shared pop culture and experiences.

It’s simply that it is easier to focus on one country, and I can give you a more complete picture. I am in the USA, and even though it is definitely not the whole of what happens in the world with moviegoers, it does tend to have the biggest slice of the top movies.

Looking at the top ten right now, based on the

Rentrak numbers

seven of the top ten worldwide releases right now are American movies.

So, if you have to cover one country, the USA is the most representative.

Okay, those quick definitions:

  • Sequel: continues a story chronologically
  • Prequel: part of the same story, but happens prior to what we’ve seen before
  • Sidequel: in the same “universe” as what we know, but focusing on different characters or events…not part of the same through story
  • Delayed sequel: a sequel released after a significant gap of time (let’s call it at least five years)…this is a new definition for us this year
  • Remake: retelling a story, using the same characters and basic plot
  • Reboot: new actors, and may not follow the same rules as the previous work
  • Pedigeeked originals: original stories with filmmakers who have significant geek-friendly credits, or based on geek-friendly works (books, TV shows, toys, and so on)

Here we go!

Happy New Fear!

January has been a good month in recent years for one horror movie to make our list with at least $40m dogro…so that suggests that The Forest should do fairly well…although it could be The Boy later this month (or both).

Superhero round-up

Batman v Superman: Dawn of Justice can’t help but open big on March 26th…but I have to say, the trailers have not convinced me. Is this a $200m dogro movie? Sure. Is it a $500m movie? I wouldn’t bet on it.

The other big DC movie is Suicide Squad. While we can say this is a supervillain rather than a superhero movie, it feels a lot buzzier and original to me…this could be one of the top ten movies this year.

Over on the Marvel side, there are five (!) based on the comic books pictures:

  • Captain America: Civil War…expensive to make and an all-star movie, as well as introducing Black Panther. This is going to dogro a lot of money (as well as succeeding internationally)…but may not be the most profitable movie (Age of Ultron was number four on our 2015 The Measured Circle’s Most Profitable Movies, behind The Force Awakens, Jurassic World, and Minions)
  • X-Men: Apocalypse: directed by series auteur Bryan Singer, starring Jennifer Lawrence and The Force Awakens Oscar Isaac, this may do better than some might guess
  • Gambit: Channing Tatum
  • Doctor Strange: not your typical Marvel superhero, and with a different tone, this one does star Benedict Cumberbatch. Guardians of the Galaxy were less well-known, but that movie did very well. It’s not as big a question mark as…
  • Deadpool: an R-rated movie, starring someone whose last superhero movie did not win the hearts and dollars of the public, this one is clearly a risk. It’s unlikely that anyone else has promoted a movie as much as Ryan Reynolds has promoted this one, and it is going to have some X-Men crossover…but we just have to hope it doesn’t do to Marvel movies what Abbott & Costello did to the Universal Horror movies. I think that’s unlikely, but I could see this ending up with under $120m dogro

Teenage Mutant Ninja Turtles are neither Marvel nor DC, but are comic book superheroes. This sequel to 2014’s reboot should break $100m, even if it doesn’t match the $190m of its predecessor.

Sequels

  • Star Trek Beyond: to quote the classic “other”, “I’ve got a bad feeling about this.” I want it to do well, I really do, but I’m unconvinced by the trailers or by the choice of someone perceived as an action movie director (Justin Lin of several Fast & Furious movies, but not the emotional most recent one). Star Trek has action, but is not an action franchise
  • Kung Fu Panda 3: it will clearly be popular
  • Ice Age: Collision Course
  • Now You See Me 2: is this going to capture the success of the first one? That would be pulling a rabbit out of a hat…part of the success of the first movie was due to the novelty and surprise, and that’s hard to replicate
  • The Divergent Series: Allegiant…YA adaptations have entered that awkward stage, but this series has done acceptably well
  • The Huntsman Winter’s War: an odd duck sequel without its top-billed star, but with a geek-friendly cast…this one risks being an underachiever in the USA, but should do well internationally and in secondary distribution (especially streaming services)
  • Alice Through the Looking Glass: Johnny Depp got respect for Black Mass in 2015, but has been a risk at the box office in the past few years (see Will Into the Woods reverse the Depp Dip? for details,  including a graph). Again, this can rely on international box office and streaming, but could be between $100m and $200m in dogro
  • Finding Dory: the sequel to Finding Nemo isn’t a guaranteed superhit, but should do quite well, especially with the promotional push from Ellen DeGeneres. This may look like a rebound from The Good Dinosaur, which still did fine. $300m? Yes, quite possible. $500m? Feels unlikely
  • Ride Along 2: this isn’t going for a homerun, and should hit its goals
  • Inferno: this fits our definition of a delayed sequel…it’s been five years since Angels & Demons, the last time Ron Howard directed Tom Hanks as Robert Langdon. Angels & Demons was not as well received as The Da Vinci Code…hm, I don’t feel the buzz, but this may outperform expectation
  • Matt Damon as Jason Bourne: it doesn’t have a title at time of writing, but does have Damon working with director Paul Greengrass again…it’s only been four years since The Bourne Legacy, but feels like a delayed sequel
  • Neighbors 2: Sorority Rising: it should meet its expectations…not beating its ancestor, but making a profit
  • Jack Reacher: Never Go Back. Don’t look at dogro on this, look at worldwide
  • Other sequels include: The Conjuring 2; Crouching Tiger, Hidden Dragon: Sword of Destiny; Barbershop: the Next Cut; The Adventures of Tintin: Prisoners of the Sun; The Purge 3; God’s Not Dead 2; Underworld 5; Bad Santa 2; Zoolander 2; My Big Fat Greek Wedding 2

Perhaps more to come in a part 2. I want to at least address January releases before they hit the theatres, and this is long enough for now. 🙂

January wide releases:

  • The Forest: January horror, maybe $40m to $80m
  • The Revenant released in 2015, should get boosted by Oscar noms and other awards…likely to go over $100m dogro
  • 13 Hours: The Secret Soldiers of Benghazi: directed by Michael Bay, no box office stars (but not unknowns), tied up in politics, rated R…I could see this not doing well
  • Norm of the North: the first kids’ animated movie of the year, should do respectably, but I don’t expect a big hit
  • Ride Along 2: will hit its goals
  • The 5th Wave: YA adaptation…I think Chloe Grace Moretz is terrific, but I have my doubts on this one
  • The Boy: January horror, I like the commercials…maybe $80m to $100m?
  • Dirty Grandpa: Robert DeNiro and Zac Efron in an R-rated comedy…I’m iffy on this. Efron hasn’t been box office gold, and DeNiro is everything…great box office, and lesser performers (but that doesn’t mean lesser performances as an actor). I think this may be more of a secondary market movie
  • Fifty Shades of Black: parody comedy with Marlon Wayons…this one is very likely to be golden (dogro three time production budget)
  • The Finest Hours…feels like a serious movie for a January about an historical rescue. I’m thinking it’s not getting to my $80m slot, and could maybe get to the $40m
  • Jane Got a Gun: Natalie Portman is a star and producer of this Weinstein Company Western…I’d put it the dogro around $60m, although it could go considerably higher or lower
  • Kung Fu Panda 3: should be solid…I’d see it as $150m plus, but not $300m

I don’t usually make specific predictions like this, and it will be interesting to see how I do. 🙂

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Our #1 Box Office MVP for 2013 is…Eva Bella

March 22, 2014

Our #1 Box Office MVP for 2013 is…Eva Bella

Which actor’s movies made the most money in 2013?

Sandra Bullock? Nope…she’s #23 on our list.

Dwayne (“The Rock”) Johnson? Nope…despite having two movies over $100m in dogro (domestic gross) last year, and two more movies over $40m (the minimum to be counted by us), Johnson “rocked” a $453.7m total.

Our #1 MVP has a total of $762.0m…and it’s likely to still go up.

That actor is Eva Bella.

We can understand if you don’t recognize the name. After all, Eva isn’t in the tabloids…she’s a kid.

You also haven’t seen her in any movies last year…because she did voice work.

However, there’s a good chance that you saw the movies, even if you didn’t see her.

She was Young Elsa in Frozen, which was still in the US top ten last weekend (after 17 weeks in release).

She was also an “additional voice” in Despicable Me 2. While The Hunger Games was our most profitable movie for last year (Frozen would need another $48m to catch it), Eva Bella was in the number two and number three movies.

To recap: Sandra Bullock had two movies on our list, with an average of $216.5m dogro; Eva Bella had two movies on our list, with an average of $381m.

Just for good measure, Eva was also credited as Young Kayo in The Wind Rises. While that movie won’t get close to our $40m minimum (it’s under $5m right now), it’s certainly considered an artistic success.

That also means that this one actor was in three out of five of the movies nominated in an Oscar category (Animated Feature) in the same year…a rare feat.

Is Eva likely to repeat on our list this year?

That’s not likely. She did do additional voices for Mr. Peabody and Sherman, but is not first credited. Our rules require that you be first credited in a movie that dogroes at least $100m, and her other 2014 title, Almost Heroes 3D, is not likely to make that mark.

Repeating is very difficult, though, for anybody.

Of the 103 MVPs on our 2013 list, only eight had also been on it for 2012:

  • Jennifer Lawrence
  • Josh Hutcherson
  • Alan Tudyk
  • Chris Hemsworth
  • John Goodman
  • Channing Tatum
  • Jonah Hill
  • Hugh Jackman

Out of these eight, our “On a Roll” award goes to…Alan Tudyk, who also appeared on our list in 2011 (and was the only one of these eight to do so).

One issue, and this is a place where voice work may have an advantage, is a blockbuster movie can take a long time to make. That can reduce your chances to be in two or more $40m movies that year…although both Jennifer and Josh were in the biggest dogroing movies and at least one more. Josh did a voice in Epic ($107m), and Jennifer was in American Hustle ($149m so far).

Looking at our top ten for this year, though, it isn’t overwhelmingly voice roles that get you to that status:

  1. Eva Bella: Despicable Me 2 ($366.0m) (not first billed); Frozen ($396.0m) | Tentative total: $762.0m
  2. Bill Hader: Cloudy with a Chance of Meatballs 2 ($120.0m); Escape from Planet Earth ($57.0m); Star Trek Into Darkness ($229.0m) (not first billed); Monsters University ($268.0m) (not first billed); Turbo ($83.0m) | Tentative total: $757.0m
  3. James Badge Dale: Iron Man 3 ($409.0m); World War Z ($202.0m); The Lone Ranger ($89.3m) | Tentative total: $700.3m
  4. Jon Favreau:  Identity Thief ($134.0m); Iron Man 3 ($409.0m); The Wolf of Wall Street ($116.0M) | Tentative total: $659.0m
  5. Bridget Hoffman: Cloudy with a Chance of Meatballs 2 ($120.0m); Epic ($107.0m) (not first billed); Frozen ($396.0m) | Tentative total: $623.0m
  6. Woody Harrelson: Now You See Me ($117.0m); The Hunger Games: Catching Fire ($424.0m); Free Birds ($55.7m) | Tentative total: $596.7m
  7. Jennifer Lawrence: The Hunger Games: Catching Fire ($424.0m); American Hustle ($149.0m) | Tentative total: $573.0m
  8. Stanley Tucci: Percy Jackson: Sea of Monsters ($68.6m); The Hunger Games: Catching Fire ($424.0m); Jack the Giant Slayer ($65.2m) | Tentative total: $557.8m
  9. Kristen Wiig: Despicable Me 2 ($366.0m); Anchorman: The Legend Continues ($127.0m); The Secret Life of Walter Mitty ($58.1m) | Tentative total: $551.1m
  10. Lenny Kravitz: Lee Daniels’ The Butler ($116.0m); The Hunger Games: Catching Fire ($424.0m) | Tentative total: $540.0m

When you look at our full list of

2013 The Measured Circle’s Box Office MVPs

certainly, one of the stand-out factors is the number of children. In addition to Eva Bella, there are

  • Ty Simpkins, #16
  • Joey King, #24
  • Moises Arias, #29
  • Sterling Jerins, #44

The totals in the list are not final: last week, nine movies on our list released in 2013 reported additional dogro.

Congratulations to Eva Bella and our other MVPs!

Who will make it this year? You can see who will join Kevin Hart and Bryan Callen at

2014 The Measured Circle’s Box Office MVPs

Nominate a child to be given a free Kindle at Give a Kid a Kindle.

This post by Bufo Calvin originally appeared in the The Measured Circle.

2013 The Year in Movie Box Office

December 29, 2013

2013 The Year in Movie Box Office

While I would be surprised if this year stands out in the history of movies the way that last year did, it was certainly interesting!

In this post, we’re going to do some analysis of the box office.

We have to first point out that the list isn’t final, and that there are some newcomers which will move up considerably (The Hobbit: The Desolation of Smaug is still burning up the box office, and for a movie with a snowman main character, Frozen surprisingly has legs). 😉 We think that American Hustle could eventually top $100 million dogro (domestic gross), and Walter Mitty and Anchorman 2 are just getting started.

We’ll continue to update our 2013 box office page

2013 Movie Box Office: 40, 80, 1, 2 , 3

at least until no 2013 release appears on the IMDb top ten box office list for a week. If that happens before the Oscars (which are scheduled for March 2), we’ll probably keep going until then…the Oscar bump can have an impact.

That said, let’s look at where we are as of now. We are only doing this on dogro, although we’ll have something to say about international later. We also cut it off at the bottom at $40 million:

1 Iron Man 3 $409,013,994.00
2 The Hunger Games: Catching Fire $384,324,000.00
3 Despicable Me 2 $367,607,660.00
4 Man of Steel $291,045,518.00
5 Monsters University $268,492,764.00
6 Gravity $254,067,000.00
7 Fast & Furious 6 $238,679,850.00
8 Oz The Great and Powerful $234,911,825.00
9 Frozen (2013) $229,775,000.00
10 Star Trek Into Darkness $228,778,661.00
11 World War Z $202,359,711.00
12 Thor: The Dark World $201,727,537.00
13 The Croods $187,168,425.00
14 The Hobbit: The Desolation of Smaug $170,564,000.00
15 The Heat $159,582,188.00
16 We’re the Millers $150,394,119.00
17 The Great Gatsby (2013) $144,840,419.00
18 The Conjuring $137,400,141.00
19 Identity Thief $134,506,920.00
20 Grown Ups 2 $133,668,525.00
21 The Wolverine $132,556,852.00
22 G.I. Joe: Retaliation $122,523,060.00
23 Now You See Me $117,723,989.00
24 Lee Daniels’ The Butler $116,146,955.00
25 Cloudy with a Chance of Meatballs 2 $115,740,196.00
26 The Hangover Part III $112,200,072.00
27 Epic $107,518,682.00
28 Captain Phillips $104,287,640.00
29 Pacific Rim $101,802,906.00
30 This is the End $101,470,202.00
31 Jackass Presents: Bad Grandpa $100,837,000.00
32 Olympus Has Fallen $98,925,640.00
33 $42.00 $95,020,213.00
34 Elysium $93,050,117.00
35 Planes $90,288,712.00
36 The Lone Ranger $89,302,115.00
37 Oblivion $89,107,235.00
38 Insidious Chapter 2 $83,586,447.00
39 Turbo $83,028,128.00
40 2 Guns $75,612,460.00
41 White House Down $73,103,784.00
42 Mama $71,628,180.00
43 Safe Haven $71,349,120.00
44 Anchorman 2: The Legend Continues $71,198,000.00
45 The Smurfs 2 $71,017,784.00
46 The Best Man Holiday $70,033,270.00
47 Percy Jackson: Sea of Monsters $68,443,727.00
48 A Good Day to Die Hard $67,349,198.00
49 Warm Bodies $66,380,662.00
50 Jack the Giant Slayer $65,187,603.00
51 The Purge $64,473,115.00
52 Last Vegas $62,439,761.00
53 Prisoners $61,002,302.00
54 Ender’s Game $60,900,026.00
55 After Earth $60,522,097.00
56 Escape From Planet Earth $57,012,977.00
57 Hansel and Gretel: Witch Hunters $55,703,475.00
58 Evil Dead (2013) $54,239,856.00
59 Free Birds $54,089,000.00
60 Red 2 $53,262,560.00
61 Tyler Perry’s Temptation: Confessions of a Marriage Counselor $51,975,354.00
62 The Call $51,872,378.00
63 Pain and Gain $49,875,291.00
64 American Hustle $46,885,000.00
65 Gangster Squad $46,000,903.00
66 Jurassic Park 3D $45,385,935.00
67 The Internship $44,672,764.00
68 Instructions Not Included $44,467,206.00
69 Snitch $42,930,462.00
70 Riddick $42,025,135.00
71 A Haunted House $40,041,683.00

Some movies which may still make $40 million dogro:

  • Tyler Perry’s a Madea Christmas
  • 12 Years a Slave (especially with an Oscar bump, but even without)
  • Saving Mr. Banks
  • The Wolf of Wall Street
  • The Secret Life of Walter Mitty
  • 47 Ronin
  • There are some that could do it with an Oscar bump, for example, Philomena and Fruitvale Station

Counting Gravity as a geek-friendly movie (even though Gravity is not science fiction), the top 14 all qualify.

That’s just based on gross, though. Geek movies often cost more to produce, which reduces the profit. When we look at

The Measured Circle’s Most Profitable Movies of 2013

the top ten looks considerably different.

  1. Despicable Me 2: profit of $292m to date
  2. The Hunger Games: Catching Fire: $209m
  3. Iron Man 3: $209m
  4. Gravity: $154m
  5. Monsters University: $153m
  6. The Conjuring: $124m
  7. The Heat: $117m
  8. We’re the Millers: $113m
  9. Identity Thief: $99m
  10. Lee Daniels’ The Butler: $86m

As you can see, three comedies and a mainstream drama make the cut with those numbers (dogro versus reported production budget).

Like last year, the biggest losers were all geek friendly:

  1. Jack the Giant Slayer: -$129.8m to date
  2. The Lone Ranger: -$125.7m
  3. Pacific Rim: -$88.0m

We don’t know yet where 47 Ronin might end up, with an estimated budget of $175m…it is possible it will lose as much as Pacific Rim, but it is too soon to tell.

This year, we started a new feature. We label movies based on their dogro versus their reported production budgets:

A traditional measure of success if the dogro being twice the production budget. Using that as a starting point…

Dogro 2X production budget = “Money”
Dogro 3X production budget = “Golden”

Dogro less than 50% of production budget = “Underperformer”

Here are those groupings:

Golden (16 titles out of 69 tracked by us so far)

  1. Septuple Golden: The Purge: 2147%
  2. Quintuple Golden: Insidious: Chapter 2: 1,672%
  3. Quintuple Golden: A Haunted House: 1,600%
  4. Triple Golden: The Conjuring: 1053%
  5. Double Golden: Instructions Not Include: 890%
  6. Double Golden: Jackass Presents Bad Grandpa: 673%
  7. Despicable Me 2: 484%
  8. Mama: 477%
  9. The Best Man Holiday: 411%
  10. We’re the Millers: 405%
  11. The Call: 392%
  12. Lee Daniels’ The Butler: 387%
  13. Evil Dead: 387%
  14. Identity Thief: 383%
  15. The Heat: 372%
  16. This Is the End: 316%

Money (7 titles out of 69)

  1. Snitch: 286%
  2. Safe Haven: 255%
  3. Gravity: 254%
  4. 42: 238%
  5. Monsters University: 233%
  6. The Hunger Games: Catching Fire: 226%
  7. Iron Man 3: 205%

Underperfomer (4 titles out of 69)

  1. White House Down: 49%
  2. After Earth: 47%
  3. The Lone Ranger: 42%
  4. Jack the Giant Slayer: 34%

No question, horror (especially when we include the horror spoof A Haunted House) had the best return for the studios’ investment dollars. The Purge knocks it out of the park, and every movie that was more than Double Golden was a horror movie (again, counting A Haunted House).

Mainstream comedies also do very well, though, including Jackass, We’re the Millers, Identity Thief, and The Heat…proving that while it isn’t necessary to have Melissa McCarthy top-billed, it’s a good idea. 😉

Non-horror, non-animated geek movies don’t even make the Golden cut.  On the other hand, three out of four of the underperformers were geek-friendly (and we could debate the fourth).

Does that high risk mean studios should stop making megabudgeted geek tentpoles?

Nope. 🙂

There are a few reasons for that:

  • Even though Iron Man 3 wasn’t golden, it still dogroed hundreds of millions more for the studio than the production cost. That’s a lot of money! Profit matters, but having cash on hand counts, too
  • Lots of money on geek-friendly movies is made outside of the tickets for the initial theatre run. There are the merchandising bucks…how many licensed Halloween costumes from comedies are sold? Not that many, certainly compared to superhero movies
  • We have just been looking at domestic numbers so far…here’s where that international part comes into play. Comedies just don’t do as well internationally…humor is much harder to translate than explosions and special effects. 😉 Iron Man 3 made 66.3% of its box office outside the USA; The Heat made 30.6%. You’ll find similar numbers on other successful geek-friendly movies and mainstream comedies. As international box office becomes increasingly important, geek-friendly movies become more valuable

One other quick list: some geek-friendly movies which did not make the $40m dogro cut (and aren’t likely to do so):

  • The Mortal Instruments: City of Bones: dogro $31m, reported budget $60m. Even though we wouldn’t quite label it an underperformer, this is one of the ones that may scare studios away from young adult literature as source material. Not completely, of course, but it does make them a bit more cautious
  • Kick-*ss 2: dogro $29m, reported budget $28m. It did barely make a profit…did we witness the power of Jim Carrey’s not supporting the movie? If so, is that better or worse for Carrey: would you be more reluctant to cast Carrey knowing that, if the actor later decides the movie has a moral issue, you could lose promotional support?
  • The World’s End: dogro $26m, reported budget $40m. Don’t worry too much about this one: it will be profitable when everything is taken into account, and even if it wasn’t, we still love Pegg and Frost
  • Carrie: dogro $35m, reported budget $30m. It made a profit, but I think most people would have predicted more out of it
  • Machete Kills: dogro $7m, reported budget $12m. It’s not about the money with this one…
  • Beautiful Creatures: dogro $19m, reported budget $60m. A major underperformer…see Mortal Instruments above
  • About Time: dogro $15m, reported budget unknown. Our guess is this one was still a success, but we don’t know for sure
  • R.I.P.D.: dogro $34m, reported budget $130m if this one could have clawed its way to $40m, it would have been one of our underperformers. This was not a good year for Ryan Reynolds, although The Croods did well. This movie and Turbo, though? Not so much…we still love you, Ryan! Although, you know, maybe not like we love Pegg and Frost 😉
  • Jobs: dogro $16m, reported budget $12m. This one did okay
  • The Host: dogro $27m, reported budget $40m. We thought this one would do better: see Beautiful Creatures above
  • Scary Movie 5: dogro $32m, reported budget $20m. That’s good enough: expect a 6 at some point
  • Dark Skies: dogro $17m, reported budget $3.5m. Again, good enough

We’ll keep tracking 2013…and then on to 2014!

See you in the movies!

This post by Bufo Calvin originally appeared in the The Measured Circle. To support this or other blogs/organizations, buy  Amazon Gift Cards from a link on the site, then use those to buy your items. There will be no cost to you, and a benefit to them.


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